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Musicians' Photos |
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Alex Ameen
Ramsey Ameen
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Fred Goldrich
David Schreiber
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Musicians' Bios |
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Alex Ameen
Ramsey Ameen
Jon
Dreyer
Fred
Goldrich
Ed Levine
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Sandi-Jo Malmon
Sonia Oram
Barbara Oren
David Schreiber
Harris
Shilakowsky
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Musicians' Photos |
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David
Schreiber |

Alexander Ameen |
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Fred
Goldrich |

Ramsey
Ameen |
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Musicians' Bios |
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Alexander Ameen
(piano):
"I am currently 16, and I began playing the
piano at age 4. I have been playing and listening to classical and jazz
music for most of my life. Some composers whose advanced works I have
studied are Bach, Beethoven, Bartok, Henri Lazarof, "Fats" Waller, Duke
Ellington, Bud Powell, and Bill Evans. My goals as a musician are to
understand and originally interpret all the music I play, in order to reach
the listeners as much as possible. My experience with music has helped me to
be a more thoughtful and analytical person, and to be an abstract thinker.
Through music I have also been able to explore and convey a wide range of
emotions. In February, 2001 I was the youngest participant in a one-month
Cecil Taylor Master Class and Workshop. in NYC." |
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Ramsey
Ameen (composer of "Cancione",
violin):
"Imagine two concentric circles; the inner
circle: Mathematics; the surrounding annulus: Technology, Education, and
Music. This is my creative Workspace, first encountered as a child holding
the hand of my father, Hussein Mohammed Ameen, for whom, navigating the war
wracked North Atlantic, spherical trigonometry was a matter of life and
death, and the violin music of a shipmate was a thread of hope. My
experiences at the Bronx High School of Science inspired me with a lifelong
enthusiasm for learning, a first-hand engagement with mathematical inquiry,
a hands-on connection with science and technology, and an immersion in the
ancient pas-de-deux of music and mathematics. Course work in music,
mathematics, and education, primarily at CCNY, was valuable as much for its
content as for the restless discontent with which I responded. I received
the CCNY Music Department "Greenberg Award" in 1967, and thereafter
participated as a violinist in NYC's avant-garde jazz circle. Since 1973 I
have developed and taught challenging mathematics and music curricula at
alternative/gifted schools, including City-As-School, Creative Music Studio,
Hudson School for the Gifted, and most recently at MSU Academic Gateways
(K-8): "Computer Chips and Violin Strings", and "Classical and Quantum
Information and Computing for Kids." From 1978-1981 I was violinist with
jazz innovator Cecil Taylor, participating in a series of landmark
recordings, tours of the USA and Europe, the Newport Jazz Festival at
Carnegie Hall, and was a Down Beat Critics Poll Award winner. In 1983, newly
married, I received a BA in Mathematics from Excelsior College/SUNY and
began an information technology career, which included founding, in 1988, my
home-based consulting business, Resolution Corp, whose clientele have
spanned the public and private sectors. My wife, Mary D. Ameen, and I have
two children, Alexander, b.1988, and Amber, b.1991. The most important work
of my life has been to walk the path of discovery hand-in-hand with my
family, as we navigate the oceans of our creative Workspace.
My composition "Cancione" is one of a series of
requiem dedications." |
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Jon Dreyer
(cello, bass) has been playing cello since childhood. He has studied
with Washington DC-area cellists Ben Levenson, Irvin Klinkon, and Glenn
Garlick, and has performed in a master class with Janos Starker. He has
played in the Fairfax (VA) Symphony and the Boston Philharmonic. He appears
on the Philharmonic's recordings of Beethoven's Ninth Symphony and
Stravinsky's Rite of Spring. He taught himself bass as a teenager and plays
primarily jazz on that instrument. He studied briefly with Richard Davis. He
appears on the recording Sacred Space: Melodies to Welcome Shabbat. Jon is
also a professional software engineer at Concept Shopping. His previous
employers include Bolt Beranek and Newman and Sun Microsystems. For more
information about Jon, please visit
http://jondreyer.org |
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Fred
Goldrich (conductor, editor of "Cancione")
has been a professional conductor for
over thirty years. He began in musical theater, where he led dozens of
productions in theaters of all sizes and descriptions around the country. He
then moved on to the symphonic field, in which his activities included guest
conducting and a seven-year stint as Music Director of the South Shore
Philharmonic in New York. Prior to committing himself to a musical career,
he fully intended to become a physicist, and earned a Ph.D. in the field in
recognition of his work with Nobel laureate Eugene Wigner at Princeton
University. He has never regretted either that change or his relocation five
years ago to the Maine coast with his wife, Geri, where they were joined a
year later by their wonderful dog, Randy.
"Fred is the musical editor of the performing
edition of my composition, "Cancione", and has prepared the individual
parts to be used by the performers. Fred's editing work has greatly
improved the clarity and readability of the written music, and he is
responsible for all phrasing, articulation, and dynamic cues in the score.
In thereby enhancing my original score, Fred has nonetheless maintained
exceptional respect for my music, and has not changed a single note or
rhythm that I wrote. Fred's consummate musicianship is exemplified by his
scrupulous craftsmanship, capacity for creative problem-solving, and deep
respect for the musical text. Physics' loss is music's exceptional gain." -- Ramsey Ameen
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Ed Levine
(percussion) has played
percussion with various New England jazz and flamenco groups, including
Newport Traffic Jam and Fuego Flamenco. He has studied percussion with Bob
Guilotti for the last several years. Ed is an oceanographer whose research
involves new ways of doing coastal oceanography with underwater robots. |
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Sandi-Jo Malmon
(cello) made her Lincoln Center
debut in 1991 with the Boston Quartet. A founding member of the Boston
Quartet and Kaleidoscope, Ms. Malmon also performs with the New Hampshire
Symphony, the Cantata Singers, the Boston Academy of Music/ Opera Boston and
The Lake George Opera Festival (NY). She has served on the faculties of the
International Composers' Conference at Wellesley College, the International
String Conference in Pennsylvania, Powers Music School and the Brookline
Music School. She is currently on the cello faculty of Northeastern
University. She studied cello with Richard Kapuscinski and Paul Tobias. Ms.
Malmon received degrees in cello performance from Oberlin
College/Conservatory of Music, the New England Conservatory of Music and an
Artist Diploma in Chamber Music from the Longy School of Music. Sandi-Jo is
the Librarian for Collection Development at the Loeb Music Library at
Harvard University. |
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Sonia Oram
(viola), 16, has been
playing the viola for 8 years. She was accepted into the Greater Boston
Youth Symphony Orchestras at age 12 and toured with them last summer to
Russia, Latvia, and Estonia. She attends the Cambridge School of Weston. She
also enjoys juggling, unicycling, (often simultaneously) and film making. |
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Barbara
Oren (violin). Barbara’s teachers
have included Heidi and Charlie Castleman at the Philadelphia Musical
Academy, as well as Nancy Cirillo, Marylou Speaker Churchill and Atruro
Delmoni. She graduated from the New England Conservatory with a degree in
Violin Performance. She is a founding member o the Abbott Chamber Players, a
group specializing in 20th century music, and she performs regularly with
the Boston Philharmonic Orchestra and the Lexington Sinfonetta. She also has
a private violin studio of 15 students. |
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David Schreiber
(musical director, viola) is a
graduate of New York’s LaGuardia High School of Music and Art, holds a BA in
music from Bennington College and a Diploma from New England Conservatory
where he studied viola with Eric Rosenblith and Eugene Lehner. He has been
performing professionally in the Boston region from many years. He was also
a member of the Haifa Symphony and the Kibbutz Chamber Orchestra of Israel.
David is the musical director and creative architect of the successful "Chai"
concert series at Temple Shir Tikvah.
"In my first conversation with David
Schreiber he made the remarkable statement, 'Beautiful music should be
heard everywhere possible.' This disarmingly simple statement was my
introduction to David's humane, open, and creative personality. I am truly
grateful to David for his willingess to read through the score of "Cancione",
propose the Mother's Day Memorial Concert to the Shir Tikvah Executive
Committee, assemble an exceptionally capable string ensemble, and, despite
the busy schedules of the musicians, pull together the rehearsals of
"Cancione." If David were a musical work, the composer would have to be
Mozart" - Ramsey Ameen
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Harris
Shilakowsky (violin) is the music director of the Bristol Chamber
Orchestra, a professional chamber orchestra formed in 1999. The Bristol
Chamber Orchestra presents talented guest soloists including members of the
Boston Symphony Orchestra and collaborations with other area featured
performing groups such as the Neponset Choral Society and the Sharon Music
Academy. The orchestra also features the winners of the BCO Music
Scholarship Fund, established in 1999 to reward excellence in the
performance and composition of music. The scholarship provides young
virtuoso musicians with the opportunity to perform with the professional
musicians in Young Artist Concerts as soloists. Harris Shilakowsky has also
appeared as solo violinist with the New Orleans, Omaha and Charleston
Symphony Orchestras, the New England Conservatory and Grand Rapids Symphony
Orchestras and in live recitals on NPR Stations in Boston, Omaha and
Nashville. Shilakowsky is the leader and first violinist of the
Shilakowsky String Quartet (SSQ). He performs with groups such as the Boston
Lyric Opera, Boston Pops, the Boston Ballet, Pro Arté Chamber Orchestra, the
Boston Lyric Opera Co., the American Symphony & the Rhode Island
Philharmonic. He was on-stage solo musician
for the 'Frankfurt-1995' production of Andrew Lloyd Webber's Sunset
Boulevard. He was a guest leader of the London Symphony Orchestra performing
recording sessions, tours and
performances under music director Michael Tilson Thomas and Sir George Solti,
Sir Colin Davis and André Previn in performances with Jessye Norman, Yuri
Bashmet, Peter Zimmerman, and Kiri Tekanawa, among others. He is an active
performer in many New
England venues. Shilakowsky has performed with Rod Stewart, Luciano
Pavarotti, Moody Blues, Itzhak Perlman, in Broadway musicals such as Phantom
of the Opera, Fiddler on the Roof, Titanic, Showboat and many others. He has
also performed at prestigious venues including Tanglewood, Boston's Symphony
Hall, Hollywood Bowl, Wolf Trap, Blossom Festival and others around the
world. He is a former concertmaster of the Charleston, New Orleans,
Omaha, Grand Rapids and Las Palmas Symphony Orchestras and the Des Moines
Metro Opera Orchestra. He has also performed with the Boston, Chautauqua and
Nashville
Symphonies, the Buffalo Philharmonic, the Handel-Haydn Society of Boston,
and the Opera Company of Boston. Harris Shilakowsky earned his Bachelor of
Music cum laudé from
New England Conservatory of Music and a Master's Degree from Yale
University. His teachers include Joseph Silverstein, Koichiro Harada, Nancy
Cirillo, and Leo Panasevich of the Boston Symphony Orchestra, David Cerone,
Vali Bluttner and Yair Kless, Joseph Gingold, Louis Krasner, Rudolph Kolisch,
Eugene Lehner, Oscar Shumsky and members of the Tokyo Quartet. He is a
Tanglewood alumnus, and is an active composer listed in 'Who's Who in
Musical America'. He has taught at New England Conservatory Preparatory
School, Thayer Conservatory, South Shore Conservatory, and as an adjunct
professor at the College of Charleston. |
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